Tag Archives: festival

Nostalgic for manners

nostalgiaI went to see Nostalgia. A Japanese production which opened last night along with the Perth International Arts Festival.

It was in a space created within the Perth Convention Centre and it is an excellent production.

It is not the easiest of theatre experiences.  It is all in Japanese – apart from the titles to the various sections which are in English.

And it is quite long.

Nostalgia tells the little-known story of the migration of thousands of Japanese workers to Brazil in the early 20th century. Follow the 40-year wanderings of a Japanese family as they search for a better future through the turmoil of revolution in South America.

The company, Inshinha, rarely performs outside of Japan.  More…

There’s a large cast of singers/dancers/actors and the music is beautiful especially supplemented as it is with the rythmic chanting of the cast and their sharp movements.

The sets are extraordinary, and the visual feast is enhanced with a large screen which adds yet another dimension.

Even though I knew only the bare bones of the storyline (tip:  read the program notes), I was drawn along with the story and intrigued to find out more.

Some of the sections could have been a shorter and still made sense – it was a lot of theatre without a break – nearly two and a half hours – but Feline and I loved it.

There was even a giant puppet, which we argued over as to it’s symbolism, so I’d be interested in what you think.

So why am I “nostalgic for manners”?

Well here’s the thing.  About an hour into the production the ushers were still letting people into their seats.

An hour!
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I can understand being 5 minutes late, reprehensible though it is, I live in a glass house on this one, but an hour?!

And it wasn’t as if you could sneak in the back.  You had to clamber up a pitch black metal staircase from the front.

Stomp stomp stomp.

Perth Festival – you need to get tough.

And then there were the early leavers.

It was a long time to go without a pee and maybe they found it too hard, but I was disappointed to see people leaving part way through.

It was really distracting for the rest of us.

I think if you’re going to make a commitment to see a festival production you need to stick with it.  Reading the notes in the guide you would be able to tell it wasn’t going to be a Broadway musical.

So there’s my rant.

After the show we went to the Festival club at Becks Music Box which was lovely – such a great venue.

So far we’ve had three city Festival clubs after the Undercroft at UWA… there was the set up outside the Art Gallery, the Verandah at the Perth Concert Hall and now the Music Box in the front of the city.

Which do you prefer?  And where could it go next??

Review: Horrendo’s Curse

horrendo's curseThis little book by Anna Fienberg is charming. Aimed at 6-10 year olds I guess it has illustrations by the same guy that drew for the Tashi books – Kim Gamble.

The book is set in a village which is raided each year by pirates. They take boys aged 12 who endure two years of misery as slaves to the pirates. To help them survive the village school teaches them how to cuss and curse, how to fight, how to raise perilous pets.

The hero of our story – Horrendo – though is cursed with a Charming spell which leaves him unable to fight or swear or cuss.

If someone stole his lunch, Horrendo would say. “Oh dear, how hungry yuo must be! Why don’t you take my chocolate cake as well?” Or if a person happened to race by and kick him in the shins, he would call after them, “So sorry, aren’t I always in the way? Hope you didn’t hurt your foot on my shin!”
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I love the concept and I’m sure kids would too – in fact I’m hoping one of mine will read it too to give us their expert opinion.

*Anna Fienberg and Kim Gamble are featured in the PIAF Writer’s Festival on Saturday afternoon.

A little game
Another review

Meow Meow

If you’re in Perth and can get tickets for Meow Meow… do:

International singing sensation, sequinned sex bomb and masterful comedienne Meow Meow has prowled, preened and stunned from Paris to Berlin and Vegas to New York.

Blazing her way through a beguiling blend of 30s Shanghai show tunes, 60s French pop and Brechtian drama, Meow’s razor-sharp shows lurch between mischief and melancholia.

With her distinctive brand of kamikaze cabaret, this classical dancer and opera singer dazed and amazed audiences at David Bowie’s Highline Festival. Get ready Perth – Meow is poised to pounce.

Special guest pianist Iain Grandage

This drug works sildenafil sales well when taken with light meal and the user abstains from alcohol. sildenafil canadian pharmacy The recent technologies grant the applicants to collect all the values of the deceased’s property. Another way to have good time is planning for dates on each or sildenafil online no prescription alternative weekend. For now the only pill which is trending and making a few changes in your lifestyle can certainly help you get rid of viagra canada no prescription http://appalachianmagazine.com/2017/10/24/hiker-falls-to-death-at-harpers-ferry/ this problem. meow meow - beyond glamourWe didn’t quite know what to expect. I saw the words comedienne and caberet and thought okay I’ll give this a go – could be interesting. So last night, a balmy evening with barely a breath of air we sat in our sleeveless dresses at the Music Box with Feline and her new bloke (lovely to meet you).

The show started with Meow entering from the back of the theatre, dischevelled glamour, carrying several bags – immediately engaging hapless members of the audience to help her out “just take it to the stage darling…” as she explained that she really didn’t feel up to a performance tonight after a tragic break up “I know I know”…

It was a fabulous show. Funny. “Where am I? What city?” Terrifying (don’t sit on the aisles if you’re shy). “Just hold me and love me.” Musical – the girl can sing and is ably accompanied by festival favourite Iain Grandage.

A festival highlight for me.

Review – LABJACD with DJ Dexter

Tonight was the Opening Night of the Perth International Arts Festival’s contemporary music program, this year at Beck’s Music Box on the Esplanade. The venue was great. Bigger than last year’s Verandah at the Perth Concert Hall – or at least it felt bigger. I did like the intimate atmosphere of the Verandah, but sitting back in the balmy night, the city lights of Perth twinkling overhead, under the stars in a music charged atmosphere of hip-hop salsa – I couldn’t fault the new venue.

LABJACD

Yes it was a bit of a fag to walk around the venue to the front over the grass in my killer heels, and you need to get there early to secure a perch on the soft comfy couches – the food is a little ordinary – hotdogs and chips – okay so upmarket versions – but all in all – a pretty good place to be on a Saturday night.

Musicians from Melbourne’s best salsa, jazz, funk and Cuban big bands come together in LABJACD – a dynamic nine-piece band who mix up hip-hop, Cuban salsa, jazz and Andean folk music.

Combining extensive musical expertise with their Chilean heritage, LABJACD are equally at home alongside Australia’s premier hip-hop groups as among some of the best world music artists from around the globe.

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LABJACD were pumping. I’m not the hugest fan of hip-hop but loved the salsa twist and even appreciated the record sliding groove of DJ Dexter. There were lots of beautiful people shimmying and sashaying on the dance floor and Groover and I got up for a song or two. I felt quite hip and groovy. With it even. Here’s a taste:

And then I started to feel a bit old…

LABJACD

We’ll be back. Monday night for Meow Meow.